All Shook Up How Rock N Roll Changed America Book Review

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January 26, 2013 victor harris rated information technology really liked it

A fairly strong critique of the cultural influence of Stone 'n' Roll. It does a practiced job with the 1950s explaining the multiple music traditions that would blend into what would exist come up described as Rock and R. Most prominent of these were of form recordings past black musicians that would have tremendous impact on Elvis and other icons of the Rock pantheon. Equally Rock mutated it would serve the rebellious undercurrent of 50s and 60s teens and blend with the Civil Rights motion, anti-war movement A adequately strong critique of the cultural influence of Rock 'n' Roll. It does a skilful chore with the 1950s explaining the multiple music traditions that would blend into what would exist come described every bit Rock and R. About prominent of these were of course recordings past black musicians that would have tremendous impact on Elvis and other icons of the Stone pantheon. Every bit Rock mutated it would serve the rebellious undercurrent of 50s and 60s teens and blend with the Civil Rights movement, anti-war movement, and other segments of the emerging counterculture.
The narrative is commencement rate when it covers the ascent of the early on rockers, the upheaval in the record industry, and the religious and bourgeois forces that attempted to stifle the growth of R and R. It is doubtable and much too cursory in evaluating the 1960s and such performers as Dylan. To propose that Dylan's career as a political protest singer commenced in '65 with " Like a Rollin' Stone" is way off the tracks. He was well established past then and had recorded his most famous protest songs earlier that.
One other noteworthy defect is the organization of the chapters. At that place are rarely any markers or breaks between ideas and themes, and the paragraphs frequently run on interminably, containing lists and artists, and practice not effectively transition betwixt topics.
Those criticisms bated, it is a skillful snapshot of the era and has enough engaging content to earn a skillful merely non outstanding rating. ...more

A squeamish, enthusiastics read of the musically seminal decade roughly around the '50s. I don't see the author making a cogent argument that rock "changed" America. It could have been symptom, catalyst, crusade or had whatsoever of those roles at dissimilar times. I practice like that the writer went deeper into more obscure pioneers and dimensions of this story than I normally see in such histories, including coverage of Pat Boone bleaching rock, LaVern Baker, Jack Barry, the broadcaster-led BMI, payola and the bir A nice, enthusiastics read of the musically seminal decade roughly effectually the '50s. I don't see the author making a cogent statement that rock "changed" America. It could have been symptom, catalyst, cause or had any of those roles at different times. I do like that the author went deeper into more obscure pioneers and dimensions of this story than I usually run into in such histories, including coverage of Pat Boone bleaching rock, LaVern Bakery, Jack Barry, the broadcaster-led BMI, payola and the birth of Top xl, Arlan Coolidge, social critic Vance Packard, Elvis Presley'southward longtime guitarist Scotty Moore, and more. The biggest thing for me was a articulate vision on how hillbilly instrumentalists reacting to R&B gave birth to the rock audio and rock combo formatL

..."Bill Haley and the Comets." Composed of six
or seven men, playing stringed instruments, drums, and a saxophone,
with Haley equally guitarist and lead singer, the Comets played driving and
danceable music. Haley'south own composition, "Crazy, Man, Crazy,"
reached the Billboard's Superlative Twenty. The tune had a pop vanquish, The
Cash Box reported; the lyrics "lend themselves to R&B handling, and
the instrumentalization is hillbilly."

"He didn't even know what to
call information technology, for the love of Christ," snorts critic Nick Tosches, citing Haley's
annotate that the Comets used country and western instruments to
play rhythm and blues, "and the outcome is pop music....

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Rating: two stars

This was an interesting book, but mode too dry. It seemed to focus on really unimportant things, while skipping over more large-picture elements of the time menstruation. The timeline also got jumbled, since the book wasn't broken upward into years, but ideas instead. Otherwise very advisory! Simply non for me.

May 27, 2013 BCMUnlimited rated it really liked information technology

I dear history. I likewise beloved music. I'm in my early thirties, but as a child I call up my mom and dad playing Elvis, Little Richard, Jerry Lee Lewis, Buddy Holly, and many other classic "oldie but goodies." The music of the 1950s and 1960s are among my all time favorite. (I enjoy the music from the 70s through today, but there is just something special most the music from the 1950s especially.) When I saw that I had to read All Shook Up as part of my American History graduate class, I was beyo I love history. I also dear music. I'm in my early thirties, but as a child I call up my mom and dad playing Elvis, Little Richard, Jerry Lee Lewis, Buddy Holly, and many other classic "oldie but goodies." The music of the 1950s and 1960s are among my all time favorite. (I enjoy the music from the 70s through today, but in that location is just something special near the music from the 1950s specially.) When I saw that I had to read All Shook Upward as role of my American History graduate class, I was across excited. I adore those books that combine two loves in one!

Altschuler traced the lineage of rock 'due north' scroll from its roots in the mid-1940s in rhythm 'n' blues and jazz to it's decline in the tardily '50's and briefly touches on its renewal in the mid-60s with the British Invasion. Rock 'n' scroll was a uniquely American development that reflected the tumultuous undercurrents of the supposed conformist era of the 1950s.

Into this narrative, he incorporated the social implications of this new form of music. Every bit both an expression of the racial boundaries and an endeavour to tear down those boundaries, rock 'n' roll simultaneously divided America and brought her together. Racial lines were blurred by artists such as Elvis, Nat Rex Cole, and Jerry Lee Lewis. At the same fourth dimension, white artists were making covers of black songs in order to promote rock 'n' ringlet to a larger white audience. This was also an endeavor to convince the older generation that rock 'north' curl was not as sexually-charged as they believed.

All Shook Up looked closely at the generational divide that existed during this era. As teens were ownership and listening to rock 'northward' roll albums from both white and black artists, adults were seeking means to crush out this phenomenal music movement. Parents feared that their white teenage daughters were lusting afterward black performers, and they feared the results of this co-mingling of the races. The generational divide was glaringly apparent during this time when conformity was the ideal promoted through media outlets.

Another great attribute of this piece of work is the test of the payola scandals and trials. Pay to play caused an incredible backlash against rock 'north' gyre. It ruined the lives of many prominent djs, including Alan Freed, the dj who coined the term "stone 'due north' roll" equally the name of this new genre of music. Fifty-fifty the illustrious Dick Clark was implicated in the payola scandals, though he was able to articulate his name with the help of television executives and continued to build his mega empire of music.

While All Shook Upwardly provides a brief exploration of the history of rock 'n' curl, it is certainly not an all inclusive history of the subject. He ends the book with just a brief mention of the Beatles and the British Invasion of the mid-60s. He also neglects the rise of the girl groups and many other artists that have become icons of the "quondam time rock 'n' curlicue." In spite of this curt coming, this book offers a brief and informative introduction to the phenomenal world of rock 'due north' gyre.

This book was an enjoyable read. I would recommend this work for anyone who enjoys history, rock 'n' roll, or just wants something a lilliputian different to read. All Shook Upwardly is a neat book for a ride range of individuals.

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Nov 01, 2011 Brian rated information technology it was amazing

Rock n roll may seem like an odd selection for a pivotal moment in American history but altschuler supports his thesis very well and by the terminate I was convinced. This book is an overview of the business, politics, race relations, and generational relations stemming from rock and roll. Information technology looks at rocks early years through the "mean solar day the music died". If you are looking for a book that will serve as an introduction to the rock n gyre motion then await no further. I was very impressed with the informati Rock northward whorl may seem like an odd option for a pivotal moment in American history but altschuler supports his thesis very well and by the terminate I was convinced. This volume is an overview of the business, politics, race relations, and generational relations stemming from rock and roll. It looks at rocks early years through the "mean solar day the music died". If you are looking for a book that will serve as an introduction to the rock n whorl movement then look no further. I was very impressed with the information presented and as someone who knew nothing about the history of stone when I started I was pleased with how much I learned. It leaves a few places hanging such every bit what happens to Elvis later he joins the army but mostly it covers everything in the right amount of particular. Highly recommend. ...more

A adept guy book, probably for 5th graders and up. It's a witty and adequately realistic story well-nigh a 7th grade boy who moves from Boston to Chicago to alive with his dad while his mom takes intendance of a sick grandmother. The kicker is that once he arrives, Dad tells him that he has lost his task and is at present a professional Elvis impersonator. Think back to being thirteen; how would you feel if y'all found out dad was dressing up as Elvis?! Josh is not happy. Of class though, everything works out in the end. A bi A skilful guy book, probably for 5th graders and upwards. It's a witty and adequately realistic story about a 7th grade boy who moves from Boston to Chicago to live with his dad while his mom takes care of a ill grandmother. The kicker is that once he arrives, Dad tells him that he has lost his task and is at present a professional person Elvis impersonator. Recall back to being thirteen; how would you lot feel if you institute out dad was dressing upward as Elvis?! Josh is not happy. Of class though, everything works out in the cease. A fleck anticipated, but... all in all not a bad guy recommendation. ...more

Mar 01, 2012 Katie rated it liked it

As well having to read this for my Politics of Rock-n-Roll grade.

When Glenn C. Altschüler wrote All Shook Upwards: How Rock 'n' Roll Changed America, he must have been educated in the history of Stone and Roll. This book follows the decade of the fifty'south, in which the genre of Rock and Roll was invented. Rock and ringlet ignited a burn down of controversy for America and created many dissimilar opinions. It started during the civil rights movement and invented the term "race music". Rock and roll was started a rebellion in teens and near of these actions were blamed on African When Glenn C. Altschüler wrote All Shook Upward: How Stone 'n' Roll Changed America, he must have been educated in the history of Rock and Ringlet. This volume follows the decade of the 50'due south, in which the genre of Rock and Roll was invented. Stone and roll ignited a fire of controversy for America and created many unlike opinions. Information technology started during the civil rights movement and invented the term "race music". Rock and roll was started a rebellion in teens and well-nigh of these actions were blamed on African Americans. This book combines the change of the decade for America and the racial bug acquired by rock and whorl.

The theme explained past Glenn C. Altschuler in this book is to be ready for change. In the book, the reader learns that most of the American population wasn't ready for this thing chosen "Stone N Whorl". They weren't fix for change. When Altschuler writes, "Many Americans believed that Stone N Roll was an irritant that provoked conflict between parents and teenagers and increased antisocial beliefs"(99), it is saying that many people of the older generations thought Rock N Roll acquired many problems. This quote is a good way to demonstrate how people were not set up for change. The older generation was not ready for change, and because of that, they created excuses against rock and roll.

In this book, Altschuler'southward mode is informative. He is informing the readers of the history of Stone North Roll and the problems it acquired. A good case to demonstrate his style is: "The emergence of rock 'north' coil equally a cultural phenomenon coincided with great ferment in the motility to grant civil rights to African Americans"(35). This quote is a good example of how Altschuler writes the story. He writes not only of the rock 'n' roll music, but also the problems that America faced with it. He wrote a lot virtually the influence that African Americans had on it, and as well the impact information technology had on them. Another good example of his writing style is: "My middle'south chirapsia rhythm/ and my soul keeps singing the blues/ Roll over Beethoven/ tell Tchaikovsky the news"(131). This quote is a good example to demonstrate how the author starts his chapters. The writer has skilful chapter starters and starts them with entertaining sayings or, in this case, vocal lyrics. Past doing this, it makes the reader want to go along reading the volume.

I really liked All Shook Up: How Rock 'N' Roll Changed America, and I didn't only read it, I learned lots of new information. The fashion the author writes is fascinating and it makes me want to keep reading. This book has inspired me to become more into the history of music and rock 'north' ringlet. One thing that I would do however, is put less facts and more of the author'southward personal opinion. This book is very different from other things I have read, merely I would definitely read something else like this again.

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It is generally regarded as naive to recollect of stone music as a threat to skillful morals and the American way of life, and early (in the 1950s) alarmist assessments of rock equally "cannibalistic and tribalistic" (6) do seem pretty silly, especially knowing that the alleged danger at the time was posed by performers like Elvis Presley and Chuck Berry (a far cry from Slipknot and Converge), but it's hard to deny that rock music over the years has strongly influenced American culture, which is what this boo It is by and large regarded as naive to retrieve of rock music as a threat to good morals and the American way of life, and early (in the 1950s) alarmist assessments of rock as "cannibalistic and tribalistic" (vi) exercise seem pretty featherbrained, especially knowing that the declared danger at the fourth dimension was posed past performers similar Elvis Presley and Chuck Berry (a far weep from Slipknot and Converge), only it'south hard to deny that rock music over the years has strongly influenced American civilization, which is what this book argues. The question is whether the upshot has been positive or negative, which is something this book doesn't really reply. Altschuler gives a lot of sociological analysis, not always related directly to the musical genre, simply seems reluctant to offer any kind of judgment as to exactly "how rock n curlicue changed America."

Anyone questioning whether stone music can have a positive influence in people's lives should read the epilogue, where Altschuler describes the ability of the music of Bruce Springsteen. One fan said the Dominate' music "changed my life" and offered "a narrative in which hopes and dreams that felt ridiculous were afforded dignity..." (189); another said the music "makes me feel similar I belong in this globe." (191). Those are strong statements nigh the life-affirming ability of fine art.

At the same time, Jim Morrison is quoted as saying rock musicians were "erotic politicians" who were interested in "revolt, disorder, chaos and activeness that has no meaning." (184). To the degree that this serves as a sincere manifesto for the music, and in a culture that in 2017 seems characterized by moral anarchy, 1 has to wonder whether we should be happy about the long-term results.

These were the questions I was hoping would be explored in some detail in this book, but that's a niggling hard to do adequately when the assay is limited by and large to a few years in the tardily 1950s. Bated from some brief comment on the Beatles and a few pages on Woodstock, plus the comments on Springsteen, the 1960s and after are mostly ignored.

But in any case, whether for good or for bad, it'due south hard to deny Altschuler's merits that rock has brought "pregnant and order to the lives of millions of people." That's what the power of music tin can exercise.

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Quick, interesting read virtually the controversial nature of the birth and growth of stone and roll

If y'all're interested in an exhaustive history of stone's birth, transformation and growth in the middle of the 20th century so this book is non for you lot. If you want a look at how stone moved from a profane, danceable musical form catalyzed by African Americans and and then appropriated by white Americans both commercially viable and downright squeaky clean, then this is a worthwhile read. What's virtually inter

Quick, interesting read about the controversial nature of the birth and growth of rock and curl

If you're interested in an exhaustive history of rock's birth, transformation and growth in the heart of the 20th century so this book is non for you. If you want a look at how rock moved from a profane, danceable musical form catalyzed by African Americans and then appropriated past white Americans both commercially viable and downright squeaky clean, then this is a worthwhile read. What'due south nearly interesting are the reactions, on the business organisation and political sides, to rock's growth and how the fine art form was, a usual, used every bit a symbol for the forces aiming to accelerate or diminish a changing America.

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Sep 29, 2019 Megan Pleasant rated it did not like it

I skimmed this afterward the first 2 capacity. Really informative but insufferably tiresome for an assigned read. Definitely not something a casual reader would savour. In fact the only reason I picked it up was for a book report, in which I didn't give information technology a glowing review. Information technology's an academic text and not made for amusement but this was backlogged with so much information I didn't know where to get-go. I skimmed this after the first ii chapters. Actually informative simply insufferably boring for an assigned read. Definitely not something a casual reader would enjoy. In fact the simply reason I picked it up was for a volume report, in which I didn't give information technology a glowing review. It's an academic text and not fabricated for entertainment merely this was backlogged with so much information I didn't know where to beginning. ...more

Oct 13, 2017 Lori rated it it was amazing

I was required to read this for my high school history class and I am so happy my teacher chose this! I still have it five years after and flip through it from time to time. This books does exactly what it says it will do, and the history of rock 'n' roll in America is such an interesting one. If yous love 50's and lx's history or are a music fan, this is such a fun read! I was required to read this for my high school history class and I am so happy my teacher chose this! I however have it five years later and flip through it from time to time. This books does exactly what it says it will do, and the history of rock 'north' roll in America is such an interesting one. If you beloved 50's and lx's history or are a music fan, this is such a fun read! ...more

I read this for my college us history class and enjoyed it a lot more than than i thought i would. i've always been interested in music and so that probably helped a little bit, but anyway, while it is nonfiction, and that genre is not my favorite, it was interesting to read nearly the different singer and bands, how rock north' roll affected teenagers, sexuality, and overall how it changed the 1960s. I read this for my college united states of america history class and enjoyed it a lot more i thought i would. i've e'er been interested in music then that probably helped a trivial bit, but anyway, while it is nonfiction, and that genre is not my favorite, information technology was interesting to read near the different vocalizer and bands, how stone due north' roll afflicted teenagers, sexuality, and overall how it changed the 1960s. ...more

I was excited to read this volume merely was actually disappointed. Felt like I was having to read some text book for a sociology class. Was ok early on discussing how early on radio and TV developed and early influence of race on R&R. Mode likewise much on payola scandal lost me. Rushed over 60'southward and then few pages on Bruce.

While it was somewhat interesting to get background of the '50's - I was not a teenager yet - I recall I would have liked it if there was more than focus on the '60's. I felt like the author bombarded me with an overabundance of facts. Sometimes his writing struck my as as well cutesy. And his phrasing and sentence construction often caused me to have to reread what I had just read. While information technology was somewhat interesting to become groundwork of the 'fifty's - I was not a teenager yet - I think I would have liked it if there was more than focus on the '60's. I felt like the writer bombarded me with an overabundance of facts. Sometimes his writing struck my equally besides cutesy. And his phrasing and sentence construction often caused me to have to reread what I had just read. ...more

Feb eighteen, 2022 Mike Prewitt rated information technology it was amazing

This was a actually fascinating nonfiction read all about the importance and ascent of rock north roll in America in the 1950's and 60's. This talked nigh how sexuality, race and violence were a part of this social move. It's a good thing I love music and it's history so this was a good book to read. Then I highly recommend it. This was a really fascinating nonfiction read all about the importance and rising of stone north roll in America in the 1950's and 60's. This talked nigh how sexuality, race and violence were a role of this social motion. It's a good affair I dearest music and information technology's history and so this was a good book to read. So I highly recommend it. ...more

So I had to read this for a history grade. It's possible that, when I reread it in nearly a year, I will like it quite a fleck more. And so I had to read this for a history course. It's possible that, when I reread it in most a year, I will similar it quite a bit more than. ...more

Jul 15, 2020 Nora rated it liked it

Knew some music and histories through this book. Read it in 2019.

In All Shook Upward, Glenn C. Altschuler examines the changing times of the 1950s through the lens of pop music. During the 1950s it seemed that zilch was truly safe from change. McCarthyism and anti-communism changed labor unions and politics. Suburban construction changed the demographics of cities. A tired seamstress on a omnibus changed how people used public transportation. The swivel of a man's hips and the twang of a guitar changed music forever.

Altschuler focuses his chapters on rock 'n' r

In All Shook Up, Glenn C. Altschuler examines the changing times of the 1950s through the lens of popular music. During the 1950s information technology seemed that nothing was truly safe from change. McCarthyism and anti-communism changed labor unions and politics. Suburban construction changed the demographics of cities. A tired seamstress on a double-decker changed how people used public transportation. The swivel of a man's hips and the twang of a guitar changed music forever.

Altschuler focuses his chapters on rock 'north' gyre'due south affects on specific aspects of social civilisation in the 1950s. He describes how white kids listened to and danced to music performed by black artists. He also shows the dissimilar ways black artists either catered to white audiences or tried to assimilate into white culture. Congruent with the publication of the Kinsey Study, rock 'n' ringlet lyrics came under even more scrutiny, with parents and lawmakers assertive that the music was responsible for teenagers experimentation with sex activity. Rock 'n' roll music was blamed for generational conflicts and teenage rebellion. Some people even linked the lure of rock 'north' roll to communist conspiracies.

However, I recall Altschuler is giving too much responsibility to this single attribute of pop civilization. While I believe in the ability of music besides as the importance it plays in modernistic teenagers' search for identity, I hesitate to give music equally much responsibleness for social change as he does. By singling out rock 'n' ringlet music and giving the genre such weight in affecting the lives of teenagers, the country should have experienced the highest rates of unmarried teenage pregnancy, a consummate plough around into a communist land, high rates of incarceration and lawlessness, and a frenzied orgy in every pocket-sized town. However, this did non happen in the 1950s.

What did happen was that stone 'northward' scroll played a role in an environment that was ripe for change. It is some other particular on the listing that made the 1950s such a significant decade. Inside the context of anti-communism, McCarthyism, the Interstate system, suburbanization, television, conspicuous consumption, the car, the Common cold War, and technological advances, it is an important factor that would non be every bit significant without looking at the decade equally a whole and the 1950s-1960s as an era.

Music was a social lubricant and a personal identifier in many cases, merely was not the catalyst for the social changes the US experienced in the 1960s. Information technology set the groundwork for a musical revolution, merely so did musical technology like the electrical guitar. Altschuler defines rock 'n' gyre as strictly a teenage phenomenon, but music transcends generations. It may not take happened in every household, simply I'grand sure that some parents enjoyed rhythm and blues music or bought Elvis records.

In his Epilogue, Altschuler chooses Bruce Springsteen as the heir apparent to the 1950s music, but then he explains that Woodstock was the natural progression for a generation that came of age on rock 'due north' roll. I fail to run into the segue way between the 1950s and Woodstock or Woodstock and Springsteen. The Woodstock generation were simply too young to accept been as afflicted by the advent of stone 'due north' roll.

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February 28, 2017 Brian rated it liked it

OG reading this for a music history class. Does a skillful task of articulating the function of music in sexual and racial politics, but I institute it a picayune plodding.

October 27, 2012 Kip Williams rated it really liked it

Alschuler'southward book, written equally role of the Pivotal Moments in American History series, present rock and roll's nativity, from Alan Freed, from Sun Studios, from the Mississippi Delta and how it burst onto the post-WWII scene and changed American civilization and society forever.
It explores how both club influenced the music, and how music influenced order, as presented in the clear split betwixt the Pat Boone-Frank Sinatra followers, and disruptive, raucous, loud music and fans of Elvis, Jerry Lee Le Alschuler's book, written as office of the Pivotal Moments in American History series, present stone and curlicue'southward nativity, from Alan Freed, from Lord's day Studios, from the Mississippi Delta and how it flare-up onto the post-WWII scene and changed American culture and gild forever.
It explores how both society influenced the music, and how music influenced society, as presented in the clear separate between the Pat Boone-Frank Sinatra followers, and disruptive, raucous, loud music and fans of Elvis, Jerry Lee Lewis, Bill Haley and The Comets, Petty Richard, and Chuck Berry amidst others, and how it inverse the face of American society forever.
Probably especially pertinent these days, as people express some type of cornball yearning and longing for a homogeneous, evidently vanilla, "traditional" values order that in truth never existed and isn't a valid concept of America as information technology was, it explores the societal undercurrents that drove the music, and movies like Blackboard Jungle, Insubordinate Without A Cause and The Wild Ones, and brought forth literary works similar Salinger's Catcher In The Rye, and how that rebelliousness, that willingness to pursue paths and goals that aren't pure, chaste and evidently vanilla was uniquely expressed in rock and coil, the unique American fine art form. ...more

This history primarily looks at Rock 'n' Scroll in the 1950s and early '60s with a cursory expect at the music from the Beatles through the 1980s toward the end of the book. Altschuler documents the initial concern of parents, community leaders, and role holders about the sexual nature of stone lyrics and performances. He documents that personalities such as Pat Boone and Dick Clark presented a moral face up to the music, and that labels cleaned up lyrics for recordings. These moves fabricated it possible for This history primarily looks at Rock 'due north' Roll in the 1950s and early on '60s with a brief look at the music from the Beatles through the 1980s toward the end of the volume. Altschuler documents the initial business organisation of parents, community leaders, and office holders about the sexual nature of rock lyrics and performances. He documents that personalities such as Pat Boone and Dick Clark presented a moral face to the music, and that labels cleaned upwards lyrics for recordings. These moves made it possible for rock to take root in American culture. Altschuler so documents the return to more sexualized lyrics, themes that stoked "generational conflict," and eventually music that promoted the political issues of the New Left. By the 1980s, nevertheless, even the Correct appeals to the music of the counter-culture, every bit exemplified by Ronald Reagan'southward invocation of Bruce Springsteen. Though Atschuler writes as one sympathetic to the genre, it seems clear by the end of the book that the early on critics' concerns—that the music promoted sexual immorality and rebellion against authorization—were clearly justified by the development of the genre and the effects on American culture that Atschuler documents. ...more

Apr 13, 2016 Jester rated it liked it

This book focuses on the emergence of the genre, what the author contends are its roots, which is primarily the 1950s. When he hits the 60s, a couple pages are given to the Beatles, another couple to Woodstock, and so we are treated to a strange few pages well-nigh Springsteen that jumps into the 80s. It's like the editor told him to keep the volume under 200 pages, then once he hit page 185 and realized he wasn't into the 60s yet, he wrapped up quickly. Altschuler states his case for the development of r This volume focuses on the emergence of the genre, what the author contends are its roots, which is primarily the 1950s. When he hits the 60s, a couple pages are given to the Beatles, another couple to Woodstock, and so we are treated to a strange few pages almost Springsteen that jumps into the 80s. Information technology'south like the editor told him to keep the book under 200 pages, and then in one case he hit page 185 and realized he wasn't into the 60s yet, he wrapped up quickly. Altschuler states his case for the development of rock 'due north' coil and does a decent job of it for the 50s, he just failed to finish the story, or to fifty-fifty get to the middle of the story. The subtitle of how this genre changed America is an unfulfilled expectation. His explanation of some of the tributarial forces is adept, we just never get to the river. ...more

This is quite a good await at the early history of rock and roll and in particular, reactions to information technology. I establish information technology incredible how EVERYONE joined in on the frenzy in one fashion or some other, simply commonly denouncing it. Parents, media, the music industry, not-rock musicians, politicians, etc. Everyone felt strongly about this musical genre and equally a issue, this music admittedly inverse the cultural history of N America and beyond. Very absurd.

A skilful look at how rock and gyre helped change the U.s.a. from the belatedly fifties to the early sixties. I liked the mode the writer showed the responses to the music from conservative older people and institutions.
The fact that stone and roll coincided with the civil rights movement was interestingly put.

If you have non already read a lot of rock history, then perhaps Mr. Altschuler's volume will be of more involvement to y'all. Otherwise, this can be a very dry and predictable book. The author has washed his research, but information technology's all from secondary sources. "All Shook Up" is an impersonal, detached book virtually a volatile subject. A handy overview of an era, but not as well exciting. If you accept non already read a lot of rock history, and so perhaps Mr. Altschuler'south volume volition be of more interest to y'all. Otherwise, this can be a very dry and predictable volume. The author has done his research, but information technology's all from secondary sources. "All Shook Up" is an impersonal, detached book most a volatile bailiwick. A handy overview of an era, but not besides exciting. ...more

Aug 17, 2012 Nathan Miller rated information technology really liked it

This book gave a cursory but interesting insight into the dissimilar aspects of American civilization that Rock n Roll had a lasting affect on.

It is definitely worth reading as a spring lath to explore farther specific subjects on racial equality, censorship and the ascent of corporations inside the American dream.

Looking at how Stone 'North Curlicue changed the globe, Glenn C. Altschuler, in his book, focuses exclusively on the 1950s, the decade in which he deems Stone N' Gyre music was born. I think that he is correct in this assessment, although I did take some issues with his narrow view.

Read Full Review: https://mybookbagblog.wordpress.com/two...

Looking at how Stone 'Due north Scroll changed the earth, Glenn C. Altschuler, in his book, focuses exclusively on the 1950s, the decade in which he deems Rock N' Whorl music was born. I remember that he is correct in this assessment, although I did have some issues with his narrow view.

Read Full Review: https://mybookbagblog.wordpress.com/2...

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A solidly entertaining book that traces the emergence of rock 'n' coil and the backlash against it. I particularly enjoyed reading the lesser-known tidbits scattered throughout (the original lyrics to Tutti Frutti were rather shocking!). A solidly entertaining volume that traces the emergence of rock 'n' coil and the backlash against it. I especially enjoyed reading the lesser-known tidbits scattered throughout (the original lyrics to Tutti Frutti were rather shocking!). ...more

Sep 09, 2011 Amanda Leavitt rated information technology actually liked information technology

This was a really interesting book. It basically shows how rock 'north' roll changed America and how people'south globe views were altered considering of the influence it had on people. It kept list song names and after each chapter I had all of these different tunes stuck in my caput. This was a really interesting book. Information technology basically shows how rock 'northward' roll changed America and how people'south world views were altered because of the influence it had on people. It kept listing song names and afterward each chapter I had all of these different tunes stuck in my head. ...more

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